Army of the Dead: A cutting- edge bloody thrill-ride

NETFLIX

Always bet on dead.
Zombies Tigers, Vegas oh MY

*Spoiler free

Zack Snyder’s Army of the Dead is ultimately a gory blast and a fun exciting new take on the action- horror genre. What do you get when you cross Alpha Zombies, Vegas and a multi- million dollar heist ?!

Thanks to Netflix I got to watch an advanced screening of Zack Snyder’s eagerly-anticipated Netflix Film, Army of The Dead. This was my first time back in theaters in a year and a half since covid, and I’m so happy I attended. It was definitely worth the trip. From the vision of  filmmaker Zack Snyder (300, Zack Snyder’s Justice League) comes ARMY OF THE DEAD: a venturous and captivating new spin on the zombie genre with a splash of Oceans Eleven. Gore, comedy, guts, mayhem …& a Zombie Tiger ?!

After a zombie outbreak in Las Vegas, a group of mercenaries take the ultimate gamble by venturing into the quarantine zone for the greatest heist ever.

ARMY OF THE DEAD – (L-R) NORA ARNEZEDER as LILLY, SAMANTHA WIN as CHAMBERS, ANA DE LA REGUERA as CRUZ, DAVE BAUTISTA as SCOTT WARD and OMARI HARDWICK as VANDEROHE (NETFLIX)

Starring Dave Bautista, Ella Purnell, and Omari Hardwick, Army of the Dead is not your typical zombie flick. Zack Snyder, who already has some experience with the undead (Dawn of the Dead) took a big risk bringing to life a horror/heist film. Think the Gentleman meets World War Z ! What a brilliant combo ! The thrilling dark twisted comedy also touches upon pandemics, coping with loss, capitalism, and the fight for human rights. The exciting eye- catching opening credits start off with a brilliant, vibrant and neon Vegas being overridden by an enormous zombie horde, a Zombie Elvis, and zombie exotic dancers as Vegas literally falls apart.

The film takes place a few years after a zombie outbreak that has left Las Vegas in ruins and completely walled off from the rest of the world. We meet Scott Ward (Dave Bautista), a displaced Vegas local, and former zombie war hero who’s now flipping burgers on the outskirts of town and is approached by casino boss Bly Tanaka (Hiroyuki Sanada) with an unexpected offer: 

Break into the zombie-infested quarantine zone to retrieve $200 million sitting in a vault beneath the strip before the city is nuked by the government in 32 hours. With a ticking clock, a notoriously impenetrable vault, and a smarter, faster horde of Alpha zombies closing in, only one thing’s for certain in the greatest heist ever attempted: survivors take all.

Why not?! What’s left to lose? Ward accepts the challenge, and assembles a misfit team of experts for the heist. We see some quality acting from Batista, and really get to see more range from him in his portrayal as Ward and his emotional interactions with his estranged daughter (Ella Purnell).

The film features a fantastic cast of characters all with unique personalities and stand out performances. Snyder nailed the typical trope elements from heist films giving each character a typical skill-set: the standard mechanic, getaway driver (in this case pilot), professional yeggman aka safecracker, a guide, highly trained gun-men, the guy no one trusts, and wait an Influencer ??!!

Courtesy of Netflix

The ragtag team of experts included:

-Maria Cruz (Ana de la Reguera), an ace mechanic and Ward’s old friend
-Vanderohe (Omari Hardwick), a zombie killing machine
-Marianne Peters (Tig Notaro), a cynical helicopter pilot
-Mikey Guzman (Raúl Castillo), a go-for-broke influencer 
-Chambers (Samantha Win), Mikey’s ride-or-die
-Martin (Garret Dillahunt), the casino’s head of security
-A badass warrior known as the Coyote (Nora Arnezeder) 
-Burt Cummings (Theo Rossi), a slimy security guard
-A brilliant German safe cracker named Dieter (Matthias Schweighöfer)

The eccentric team up was badass, ruthless, and definitely memorable. Throughout the film the cast was highly entertaining, had great on screen chemistry and worked really well off of each other. There were some genuine laughs from the audience thanks to some hilarious stand out moments from Matthias Schweighöfer, Omari Hardwick, and Tig Notaro. The humorous banter between tough guy Vanderohe (Omari) and genius Dieter (Matthias) really added a natural comedic tone to the film, and it was not forced at all. It really added depth to their characters and to the whole “heist squad” cliche. These two shared some of the best scenes.

Courtesy of NETFLIX

(Tig Notaro) played another stand-out character, Marianne Peters, the sarcastic and dry humored helicopter pilot, who actually didn’t even have that much screen time. Marianne was definitely a fun addition to the team after Notaro replaced comedian Chris D’Elia’s character after he was fired for reports of sexual misconduct. Instead of having to reshoot all those scenes, Snyder had to recreate every scene shot for shot with Notaro. Despite having this major setback, the CGI was extremely impressive, not even noticing her character was basically plugged in. (Why was a mustache so hard to fix cough cough?)

Replacing Chris D’Elia with Tig Notaro in “Army of the Dead” cost less than creating the film’s zombie tiger.

Some other note-worthy details of the film were all the memorable kills and deaths. There were so many bloody awesome scenes with well-deserved claps from the audience. The movie also features different types of zombies: without getting into any spoilers Army of the Dead has smart alpha zombies that somehow communicate amongst each other, warrior zombies, and hibernating zombies. Props to Snyder trying to give us more than your typical sluggish brainless zombies. He really got to express some creative freedom with this film. 

I am very big on all types of heist films (Heat, The Italian Job, Money Heist, Reservoir Dogs, Snatch, Baby Driver, Ocean’s Eleven etc.); This film does a pretty good job of balancing heist elements while maintaining its zombie action persona. It has plenty of stunts, explosions, blueprints and planning, team work, and heavy artillery. It was cool to see different villains and antagonists, also the Zombie tiger has a good amount of screen time and definitely lives up to expectations.

Courtesy of NetfliX

The only real question viewers have is how could that many zombies possibly be contained and kept to just Vegas. We also don’t know much about the spread aside from getting bitten, or about the cause of the virus outbreak, but the movie also sets up sequels!

Overall: 7/10

Army of the Dead is super enjoyable, not to be taken seriously and an exciting new take on the overdone Zombie craze. Aside from being a comedic horror/ action it actually showed some real human emotion and had some unexpected twists. The score was fantastic and the soundtrack pairs perfectly with every single scene. Definitely a fun time for any zombie fans.

Trailer:

Directed By | Zack Snyder
Story By | Zack Snyder
Written By | Zack Snyder, Shay Hatten, Joby Harold
Produced By | Deborah Snyder, Wesley Coller, Zack Snyder
Cast | Dave Bautista, Ella Purnell, Omari Hardwick, Ana De La Reguera, Theo Rossi, Matthias Schweighöfer, Nora Arnezeder, Hiroyuki Sanada, and Garret Dillahunt, Tig Notaro, Raúl Castillo, Huma S. Qureshi, Samantha Win, Richard Cetrone, Michael Cassidy

#ArmyOfTheDead
@NetflixFilm

Army of the Dead will hit select theaters on Friday, May 14 and Netflix on Friday, May 21.

SnyderCut: Gods Among Us the heroes we deserve

Courtesy of DC/ WB

***CONTAINS SPOILERS***

Snyder’s Justice League is visually stunning, action packed and delivers fans Justice! 

After waiting nearly four years the SNYDERCUT has finally dropped on HBO MAX and was well worth the wait as fans are calling it one of the best DCEU films yet. Director Zack Snyder’s glorious vision was finally brought to life in this reimagining of the 2017 botched film. The Snydercut gives us new footage, completely different storylines, new characters and an entirely different third act.

At this point most people are aware of the tragic death of Snyder’s daughter, the behind the scenes drama of the theatrical release, Snyders’ departure due to creative differences and Joss Whedon’s (Avengers) disappointing take- over. Although not perfect, Snyder fixed a lot of the flaws of the theatrical release and gave us a much stronger, enjoyable and cohesive film. The Syndercut is essentially an extended version of Justice League with new footage that tied up all the loose ends, cut out all the cheesy and sexiest JOSStice scenes, improved the horrific CGI, and primarily made all of our beloved heroes much more captivating and GODLIKE!

Birthing the #releasethesnydercut fan campaign which finally persuaded Warner Media to let HBO Max bring it to life. $70 million dollars later, hundreds of hours of shooting, reshoots and editing for nearly four years we now finally saw Snyder’s vision come to life and boy were we happy.

I loved the extra storylines and the stronger interactions between the cast. There was a good balance between the dark grittiness we’re used to as well as some humor. It felt like pages directly from a comic book and DC Animated were literally brought to life. The opening sequence gave us so much stronger introductions; with a glimpse of Lex with the mother boxes, Mera in Atlantis, the Amazons, and Bruce attempting to recruit Aquaman which leads to chapter one.

So what changed?

The film was divided into six chapters and an epilogue, and it was roughly four hours long. Yes, this is way too long for a theatrical release, but watching from the comfort of your own home and in sections this was actually a genius move. Snyder was giving us a glimpse into what could’ve been and successfully gave fans an entire DC Universe with the third installment of his DCU films. SnyderCut not only gave us more Themyscira, but Darkseid, Zeus, Ares and even a Green Lantern in a more prominent flashback scene with the allied Amazons, Men, and Atlantenans. The theatrical release was a mere 2 hours cutting out well everything important for the film to have successfully progressed. WB should know by now that fans will sit and watch three hours of a good movie (LOTR, The Dark Knight Trilogy, Watchmen) so why cut short one of the biggest team ups in DC history?

JL takes place months after the events of BvS, and Batman seeks out other heroes to form a team of allies to take on Steppenwolf; an alien invader who plans on conquering the world. With Wonder Woman’s help Bruce Wayne enlists Cyborg, Aquaman, and the Flash to help take on this menacing threat, but this time there’s more! 

Snyders decision to include more scenes with the Amazons, Atlanteans, Cyborg’s parents, Barry and Iris West, Darkseid, Ryan Choi (Atom) and Star Labs made a drastic difference. The character development was far superior in this cut as each scene was completely necessary for the overall flow of the movie. Snyder not only makes each villain a more imminent threat, but every hero more likeable and powerful in their own respect.

Courtesy of DC/ WB

Although Steppenwolf is still the main villain, he now reports to an even bigger boss, major DC Villain Darkseid. The decision to include Darkseid, and to flesh out Steppenwolf was a drastic improvement for the movie. In the Josstice version a major issue was that Steppenwolf was such a weak villain that he didn’t even warrant the assembling of the JL. Now everything makes a lot more sense. Not only did Steppenwolf’s look and armor drastically improve, but we now learn that his intentions are to get back into the good graces of Darkseid, ruler of the planet Apokolips. Steppenwolf has a lot more camera time, has a much clearer objective and even has a very brutal beheading scene. Steppenwolf also uses a mind-controlling weapon that taps into the subconscious digging up information, these parasites that attach themselves to victims faces are a major nod to DC supervillain Starro the Conqueror.

Courtesy of WB/ DC

Darkseid makes his DCU debut in this version and he’s much more intimidating than Steppenwolf and would be DCs equal to Marvel’s Thanos, it’s about time. Snyder gives us just enough Darkseid to tease us with an appearance to set up what would have been two sequels. This makes perfect sense as Darkseid would send in parademons and minions before his arrival on earth after being informed the Anti- Life Equation has been found. The movie does a good job of explaining why he is after the Motherboxes now, after all this time, because Superman is not a threat. 

Gods Among Us:

I remember first reviewing Man of Steel & BvsS and what I did love about both films was the Injustice: Gods Among Us (video game) feel to it. Especially the city fight scene between Superman and General Zod.

Snyder successfully shows us that not all our heroes are human but that they are Gods and extremely powerful beings. With the same injustice tone of Man of Steel, Snyder once again gives us Godlike heroes as he delves more into the mythology, giving viewers a much better understanding of each character and their history. He lets each character play to their strengths, everyone is fleshed out and he shows actual teamwork.

In Snyder’s JL he really lets Cyborg (Ray Fisher) shine, essentially being the heart of the movie. Cyborg is central to the plot as he is in possession of the third and final mother box. Cyborg ends up playing a much more integral role, especially learning that his technology derives from the same powers of the Mother Boxes; it makes sense for him to have more screen time.

Courtesy of DC/ WB

Snyders version does a better job of balancing Victor’s self- loathing and internal struggle as he starts to understand his technology and machine- like powers. Including the scene where Cyborg hacks the ATM and gives the mother money showed Victor’s human side and added depth to his very “emo” portrayal. Snyder also shows the audience a lot more of Cyborg’s tragic story by including his mother. Cyborg’s father, Doctor Silas Stone also had a much more notable role, especially the key scene when locking himself to track the heat signature. These extra scenes and more Star labs really made a difference. Ryan Choi (Atom) is really more important than you think. Snyder also included more Star labs security, the national guard, and the JL actually had to have a plan to infiltrate.

Gal Gadot continued to amaze us with her onscreen portrayal of Diana Prince/ Wonder Woman. She was just as badass, graceful, and powerful as her solo flick and BvS appearance. Snyder gives us a much stronger and likeable WW. She is a leader, a god, a warrior, and not there as just eye candy or a sex object as Whedon depicted. There are no up the skirt camera angles, no crude Aquaman remarks or objectifying moments. The Josstice movie objectified Diana, Lois, and the Amazons with his portrayal of women, Snyder gives them so much more depth. You can see the difference in respect for the characters and take them more seriously. Also notable Wonder Woman is more of a badass in her opening sequence than the entirety of WW84.

Courtesy of DC / WB

Snydercut also gives us a much more likeable and crucial Barry Allen. The Flash (Ezra Miller) still gives us a playful and wisecracking Barry Allen lightening the tone, but he is the hero in this film as he has to break his own rule and manipulate time in order to reverse the destruction. Snyder gives Barry a chance to actually shine being the fastest man alive. He is not as weak and cowardly, and we actually see Flash reversing time. Snyder also gives us really great stand- out moments like Barry saving Iris, when his shoes break and the slow motion emotional moments.

Even Aquaman was more fleshed out, (Jason Momoa) as he was involved more than just being there to disagree with everyone or flirt with WW. Synder took out the stupid Lasso of truth scene and gave Aquaman better material to work with. We now see Vulko, Aquaman’s mentor, in some important scenes establishing Arthur’s relationship with his fellow Atlanteans. We have a more clear understanding of Arthur’s first introduction to Mera, and mention of King Orm setting up “Aquaman.” A small but very noteworthy adjustment is the way Atlanteans speak underwater. (Not Amber Heard’s horrible English accent which came out of nowhere, even though Dafoe had no accent) but the speech bubbles. To speak with her Atlantean subordinates, Mera creates an air bubble to facilitate human speech. Although this was dropped in Wan’s Aquaman film, this was really cool to see Snyder capture this little detail of how they community in human speech. Outside the bubble Atlanteans typically speak like dolphins using clicks, whistles and noises.

Courtesy of DC / WB

Although this time Batman took more of a back seat giving other members more screen time, Bruce becomes more of a leader. We get a better, more serious non-cheesy Bruce Wayne/ Batman. Batfleck (Ben Affeck) returns this time with no unnecessary quips that Batman would never say. We have a more witty Alfred, cool bat tech that is actually explained and showcased and a better team up overall. His focus is to bring back Superman and do whatever is necessary to protect Earth. The Knightmare scene also makes everything so much clearer in BvsS as well. 

Superman is back and we get the black suit, nod to Death of Superman ! Henry Cavill is back donning the all- black Kryptonian suit, black cape and silver S, which WB decided against for the theatrical release. Superman’s return makes so much more sense with the imminent threat of Darkseid, and the more understandable attempt of the team to bring him back from the dead. One of the biggest differences is Superman’s return in the fight against Steppenwolf. Instead of trying to “talk it out” and going on about “truth and justice” blah blah, Superman swoops in and saves Cyborg from Steppenwolf’s attack. Superman proves he is the Man of Steel when taking no damage from Steppenwolf’s ax. This version also fixed the infamous atrocious Clark stash. Lois Lane (Amy Adams) also makes a lot more sense in this film as she is grieving most of the film and it actually explains why she is at the monument at the opportune time to stop Superman from lasering the JL because she’s there to grieve daily.

Courtesy of DC/ WB

Aside from a much more cohesive narrative tied together with stronger character development and interactions there are some other noteworthy stand- outs. We got some cool Easter eggs like the green lantern corp, Granny Goodness and Big Barda. Instead of post- credit scenes we also get about twenty minutes of an epilogue which gives viewers a glimpse into what would’ve been the sequels to the Snyder verse.

Epilogue:

Although I think this was way too long it was cool to see what else Synder would’ve had in store for us. We take a trip back to Lex Luthor’s yacht where he meets Deathstroke (this would’ve been the solo Batman film). It was awesome to see more Deathstroke but this scene should’ve remained the same as the original post credit. There was also the post- Apokolips scene continued from BvsS with the Earth waste-land where we see a return of the Joker! Another awesome scene tying into future movies with a team up of Batman, Deathstroke, Mera Cyborg and the Flash. This scene also felt too drawn out and Joker felt a little forced, but it was still great to see Leto get his shot. Another awesome cameo was Martian Manhunter, but where the hell have you been? General Sanwick has been around since Man of Steel why choose to get involved now?

What didn’t work? (minor)

DC still relies too heavily on CGI, although there has been much improvement since the mustache catastrophe, the way DC shoots is very dark and can appear cheap. They could have lightened the 300 tone a bit. Marvel has a much more definitive style that looks more realistic, for some reason DC can’t get their CGI right. Yes, Steppenwolf looked better, and if you could get past Mera’s horrible accent her hair also looked so much better and natural. 

Aside from the CGI, and being too lengthy, there was some wonky music. There was a much better score with Superman, The Flash and WW but Aquaman’s scenes were so cringy I almost fast forwarded. The lingering musical interludes and cringy lady smelling Aquaman’s clothes and people begging Arthur could have been cut. Cutting down the Aquaman scenes, some of the slow motion, the epilogue and some Lois could have brought us closer to 3 hours. 

OVERALL

8.5 Fun, Action- packed, visually stunning, brilliant story-telling

The Snydercut left me with that good theater excitement when you walk out of a movie and want to watch it again. Most of us haven’t felt that since Endgame. Snyder gave fans magic, this was a huge win for fans of the DCU. Watching the Snydercut and the BvsS Extended cut will change your whole mindset. The Snyder cut not only restored the Justice League but it also makes BvsS a better movie. If the studios stopped interfering and let Snyder complete his vision Justice League would’ve been the DCU’s Goldmine comparable to Marvels’ Endgame.

**Personal complaints: ***For me two things that bother me with the Snyder verse are that he killed the wrong Robin. Snyder decided to kill Dick Grayson (Nightwing)  instead of Jason Todd. 
The other is that I can’t stand Jesse Eisenberg’s winy portrayal of  Lex Luthor. Otherwise I love the Snyderverse and wish we could see more.

Batmobile "First Official Picture"

Zack Snyder, director of Batman v. Superman, just tweeted out this official image of the upcoming Batmobile  The new Batmobile looks crazy it's like a cross between a military tank and a metal alien spaceship. Can you imagine Batman in this thing?

Gal Gadot will be casted as Wonder Women in Superman/Batman

Warner Bros. has announced the actress who will play Wonder Woman/Diana Prince in director Zack Snyder's still-untitled 2015 Superman-Batman Man of Steel sequel that will see Henry Cavill return as Superman, joined by Ben Affleck as Batman, along with the returning Amy Adams as Lois Lane, Laurence Fishburne as Perry White, and Diane Lane as Martha Kent.

The role will be played by 28 year-old Israeli actress and model Gal Gadot.

Director Zack Snyder is quoted as saying:

“Wonder Woman is arguably one of the most powerful female characters of all time and a fan favorite in the DC Universe," Snyder said on the casting. "Not only is Gal an amazing actress, but she also has that magical quality that makes her perfect for the role. We look forward to audiences discovering Gal in the first feature film incarnation of this beloved character.”  

Not much more is said about the movie, but Gal Gadot is an established actress coming off the success of Fast and the furious 6. Warner Bros. made a pretty good choice and we look forward to seeing her play such and iconic character.

 by Sean Tucker